The making of an artist
What makes someone an artist?Looking back I see early signs. Color, shape, texture were always catching my attention. The media of a child’s play in the 1940’s–crayons, paper, scissors, paste could absorb me completely. And the world of radio opened my ears to the joys of sound, not only music and instruments, but particular voices or instruments. But most of all my hands actively craved making things. I would grab the Sunday newspaper, discarded by the adults, to stare at the pictures of people featured, some of them even in color!

But the family drama that I lived in made me cling ferociously to these little pleasures. My play times were special: that freedom was rare. In our unusual household, as early as I can remember, I was my younger brother’s nanny, responsible for keeping him safe, amused, clothed, fed. And soon, when my parents work schedule got tighter, I also purchased the food for dinner at the grocery and cooked it. While I also continued to baby-sit my brother, before and after school.
Time for my miserable self alone or space of my own was rare. But the hardwood floor of the living I adopted as my artist’s table. And the music on the radio was major entertainment. Instead of having much adult supervision, really I was performing in adult roles myself, most of the time. I grew up on my own. And my inner life was overflowing with visual images and patterns!
Fast-Forward to age 50, when I was stricken with Lyme disease, but it went unrecognized, undiagnosed for more than a decade. But the chronic infection did bring the collapse of my existence. Continuing my life as the efficient nonprofit executive became utterly impossible.
Eventually an outstanding physician recognized my problem and treated me successfully. Now I see myself as someone that medical science has rescued–and offered decades more of life!
That perspective meant I gratefully chose –to live these bonus years out as an artist! Learning how close I had come to extinction caused a rebirth! This isolated, abused child found her best self in her mature years. About 20 years ago, I took up the challenge of the popular book, The Artist’s Way–to claim my calling as an artist. This approach set the outlines for my daily artistic practice. I took my freedom to move into creativity as a life style. And full speed ahead!
My birth family, I am sure, were all creatives too, in various ways. But each took their own life,–my mother and brother in their 70’s and my father in his 90’s. So I alone am left to tell this tale. But I am eager to live out my life–and my calling as an artist to the fullest!

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Why Figure Painting?
A recent view of art*–by another who also entered the field late in life–struck a deep chord in me. He said, Art is not a turning loose of emotion, but an escape from emotion.
I would add that it could also be, not the experience of personality, but the escape from personality.
Figure painting has been my main subject for the past 15 years. And it was central for me as a child and all along. What is its source? It comes from a craving for intimacy. And that is intensified beyond the ordinary by another challenge.
Which is, my innate inability to satisfy it it effectively. Close companions would be happy to verify this painful judgment. studio process.It’s for the sake of some interesting artworks.
Sack’s analysis* fits my artist’s life very well. My working is conflicted and driven. But it offers an exorcism, an intense release. Altogether figure painting is too wonderful to have it any other way!
*See Joshua Rothman’s profile of artist Peter Sacks: Artist’s Archeology of the Mind, The New Yorker, March 25, 2019, p. 45-54.
Carol-Lois Haywood
SEEKING VENUE FOR ART EXHIBIT NOW!
Eager to find a fine-arts venue for my new series, ‘Molded, then Shattered.’ These are a group of 21″ X 21″ ink and pastel portraits. Preferred area is the South Bay or Peninsula in the San Francisco Bay Area. But other sites would be considered. For more details, contact the artist-author of this blog.
J
2005 – 2008
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Job Title at Company
2012 – 2015
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J
2008 – 2012
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2015 – Present
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Thank you for sharing your story, Carol-Lois. I am sorry for your childhood abuse and your experience with chronic illness. However, you have developed resilience and tenacity, all the while creating your beautiful art. I have really missed browsing through your blog. Looking forward to more!
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Given how grateful I am to see someone has looked at my story, how happy I am to hear from you who reacts to specifics about my art life! Your encouragement means a lot. Thank you for your thoughtful comments.
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There is a memoir in there, you know. 🙂
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That may be. When my eyes no longer serve for making pictures, maybe I might do that! Interesting suggestion!
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I’d love to hear who treated you for Lyme. I went undiagnosed 27 years. Started treating for Lyme almost 3 years ago. It’s a tough battle for sure.
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I am glad to share that! I have been there myself. It’s Christine Green, MD, office in Mountain View, CA. She has a full website online. But if you have any trouble I will send you a link.
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Thank you so much!
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Carol-Lois – keep at your self portraits. They are so revealing, as they should be….
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Delighted to know you are interested in these poor, desperate efforts! Grateful for your exploration of my revelations about the roots of my art life!
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I like this work “Bitter”. I can see a creative mind at work here, the process of creating remains visible in the finished work.
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If I am slow to answer this comment, excuse me. Lots going on personally. You sure do know how to LOOK INTO an artwork! Truth is, I had seen the same old models, doing the same favorite, low exertion poses, I was disgusted. Then I realized that emotion/hostility was fair material for my artistic mind and energy. The artist was bitter. But what’s wrong with that if I let it inspire something new? And you have the interest and energy to expose most of what was going on for me. This became quite a series for me. Your comments are much appreciated!
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Exactly, emotions are a valuable material. I always think of compost(art) created out of refuse(emotions). Only patience is needed.
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Thank you for liking the portrait of my mother titled, “Hilma,” on my blog. Because you did that I find myself here. I so love your art. I am moved by it. It is wonderful to read your artist statement. I have found it difficult to articulate so clearly as you why I make art, why I am where I am today other than I just have to. I look forward to seeing more of what you have created.
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Your input means a lot to me. Rare that anyone looks at my Artist Statement! Thanks from the bottom of my heart. I hope you find other art of interest as well. So Kind!–Carol-Lois
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Hi Carol, I am so glad you “liked” something on my blog, which got me to find you in return. Your art is simply stunning. “Bitter” brought to mind Stephen Crane’s poem, “In the Desert”. Like you, I came to art late in life, discovering myself in/and art only at age 55…And I too had Lyme disease, tertiary and neurological, which was treated for several years in the early 2000s. Best wishes,
Phoebe Wagner
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You reaction to my Statement touches me deeply! That you enjoy Bitter and link it to that poem makes me deeply grateful!
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Impressive work & pages, CLH! I esp like your marines…. the sanguines are a great medium, no? If I didn’t already do so, I recommend deviantart, for the possibilities from encountering larger circles of artists/watchers/admirers/https://cognoscenti etc…There are more parallels to other artists than you suspect. I recommend a good artist there, Michelle B https://www.deviantart.com/clairobscur16
— keep up the good work cheerios
Sidney
ps, what field is your doctorate in, svp?
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Well I am glad to get so much praise for my various art over the years, Sidney. So my Phd. is in the subject of Relitiout Studies and Social Sciences.
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My ph.D. was a combination of religious studies and the social sciences.
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